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Thoughts on SXSW 2010 Marketing

The biggest takeaway for me was temporary branded venues. Temporary in the sense that they were only for the duration of the festival but many were in actual brick-and-mortar buildings vs. tents. This is an idea that began at least a few years ago and seems to have really taken off. No surprise there, as it offers a great opportunity for brands to create and control an entire experience for consumers over the span of several days.

Many venues featured free day parties with comp food & beer (a sure way to attract a crowd) and of course live music. Zone Bar’s Live Create Lounge featured laptop stations, wall art that attendees could contribute to, an interactive word-magnet wall (a bigger version of what’s likely on your fridge), a cell-phone charging station and of course plenty of free Zone Bars. Added value fun and convenient stuff is a smart idea.

Other examples include Canada House, British Embassy, and Levi’s Fader Fort, the latter of which partnered with local music charity Health Alliance for Austin Musicians who helped spread the word and benefited from sales of Levi’s apparel. This kind of partnership between national brands and local music-related entities is something I am a big advocate of and would love to help other brands get involved in.

Canada did a nice job of cross-promotion between their venue, a hosted day party open to badge-holders and invited guests (in a different, outdoor location), and a booth at the trade show. Well done. And most importantly they offered great music from bands like Plants and Animals, You Say Party! We Say Die!, Born Ruffians, and Radio Radio. For Canada’s wrap up and a free download of their Canadian Blast SXSW 2010 Sampler, go here.

Should you sponsor SXSW? Yes, IF you have the budget and plan to do something big, cool, exciting. The standard rules of sponsorship have changed, and what’s needed by sponsors are plenty of creative ways to get noticed so that you can engage the audience. With the cacophony of companies vying for attention during this massive fest, only a “go big or go home” approach will work.

Posted Tuesday March 30, 2010
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Musicians Using Twitter in the Creative Process

Social media has long been a great avenue for musicians to connect with fans ever since MySpace blazed the trail some years ago. Although that particular platform has nosedived to has-been status in recent years, the paradigm shift it ushered in remains entrenched and probably will be for a very long time, though the players will always evolve.

Hopefully most artists enjoy the direct interaction with their fans that social media offers. Some may at times view it as yet another necessary but sometimes unwelcome distraction from the creative process. But in a fascinating development, Twitter recently acted as a catalyst for creative collaboration for Curt Smith of Tears For Fears and a means for Erykah Badu to – quickly – get clearance from Sir Paul to sample a Wings song on her upcoming release.

In a related but slightly different vein, 30 Seconds To Mars used a dedicated website to allow fans to be a part of the recording process and contribute artwork for their latest CD. Look for the details in this article.

Love it! What might this bode for the future? (Marketers could learn a thing or two here.)

How have you used social media in the creative process?

Posted Thursday February 25, 2010
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Marketing with Music and Almost No Money

Original Post 2/1/08:

Got $10 to spare for a marketing effort?

Sell A Band may represent the new paradigm for emerging acts in music, given the slow implosion that major labels are currently experiencing, not to mention the coma that music-centered retailers are in.

On Sell A Band, you can search around for acts that your customers like and if you find some, you can sign up for free as a Believer and invest in increments of $10. And of course artists can sign up for free and invite friends and fans to invest.

An especially good idea for small businesses with a strong online / e-commerce aspect, and those who want to build their web presence.

UPDATE 2/24/10: Sell A Band has declared bankruptcy and may continue under the auspices of new ownership, but that remains to be seen. Full story here

Posted Wednesday February 24, 2010
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At Least It's Not "Battle of the Bands"

I’m not a musician but this looks like a pretty cool thing to try and win. I absolutely HATE the tired, worn-out cliched “Battle of the Bands” formula. So much so that I just fell asleep while typing the phrase.

A big part of what’s wrong with the concept is that they typically do very little for the “winner”. But this one, sponsored by Guitar Center, gives the winner studio time to “record a 3-song EP with the legendary producer behind Guns N’ Roses – Mike Clink and have Slash write, record and perform on the winning artists’ single”, plus a bunch of other cool stuff like gear, gigs, and promotion. Now I suppose writing and recording with Slash might sound better to musicians of some genres more than others, but wow, what a great opportunity for any artist to learn, create, brain-pick, and hobnob with some genuine stars in music.

If you’re a musician, what do you think? Have you had a good experience with a “Battle of the Bands” contest? Like I said, I’m not a musician, but it sounds like this one’s worth entering. (I swear, one of these days very soon, I will learn to play my guitar!)

Posted Wednesday February 3, 2010
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Some of the Latest Examples of Marketing With Music

Rock legend Eric Clapton has joined forces with Fender Guitars and a cell phone company to create a limited edition 3G Smartphone that comes pre-loaded with some Clapton classics as well as tunes by Wyclef Jean, Avril Lavigne and Brad Paisley. (I refuse to give the cell phone company mention here due to my horrible no-customer-service experience with them tho’ you’ll figure it out easily enough.) There is also an enter-to-win contest for a free one of these gadgets. Info here

Here’s an interesting concept partnering music-recognition app Shazam with the Dockers apparel brand. Curious to see how it, ahem, flies.

Billboard.biz reports on a slew of partnerships here

I would love to see more of these brands bring smaller, emerging acts into these campaigns! The reach is of course not as great, but with the right combination of artist & brand, the ROI of a great campaign have enormous potential. Imagine discovering a great talent, financing a tour and all that goes along with that – the promotions, the merch, the online & social networking, connecting with artists and true music fans (read: tastemakers) who are into the bands before they hit big. Imagine being part of making them big.*

And was that U2’s “Bad” heard on a TV spot for…NASCAR???

(*If you’re a brand or company interested in exploring the possibilities, contact Combo Platter.)

Posted Tuesday January 26, 2010
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No Depression's Virtual Open Mic

There are about a squillion-million-jillion websites for acts to upload and “promote” their music, but you gotta figure that if it’s being offered by the venerable roots-music champions at No Depression, it’s one worth checking out. Here.

Marketers, take note: you should consider paying for, distributing, and promoting a compilation cd of participants; and sponsoring a tour. Or all kinds of other ways to partner with such folk. Great way to connect with the musicians, loyalists, and enthusiasts. Emerging acts need help with promotion and touring and you can be a hero if it’s done the right way with the right artist(s). Matter of fact, that pretty much applies to just about any act that’s not a superstar.

Posted Wednesday January 20, 2010
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Better Than The Van

With South by Southwest a mere two months away, hopefully musicians playing the music portion of the fest (and those coming in the hopes of landing some guerrilla gigs) are touring their way to Austin rather than just going round-trip from their home base. If so, then Better Than The Van, a touring-band-support-system-cum-social-network, is very much worth looking into.

Marketers have a great opportunity here as well, not just for acts on the way to SXSW, but all year ‘round. BTTV offers dirt-cheap advertising, and I for one see all kinds of opportunities for great campaigns.

Posted Tuesday January 19, 2010
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Mobile Record Stores?

This is a brilliant idea. Imagine a local record shop (always the best ones) that is almost inevitably struggling to keep its doors open, being able to save rent by closing down it’s brick-and-mortar location in favor of a regional “truck store tour” that would visit your town once or twice a month? Throw in a live in-store (“in-truck”?) performance and voila!

Or how about a thriving store creating a mobile counterpart that supports local artists as they tour. Also a great opportunity for businesses to sponsor, say a local eatery that brings the truck to your town and includes free grub as part of the fun. And if a deep-pockets company were to get involved – WOW.

Naturally such a truck could be branded all kinds of ways thereby offering a mobile billboard for the store and any sponsors. Great grass-roots marketing.

Love it!

Posted Wednesday December 9, 2009
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What the '10 SXSW Music Panels Reveal to Marketers

Naturally Combo Platter loves event marketing and, by extension, marketing with music. After all, who doesn’t love music? When brands can partner with artists in smart and creative ways to reach and expand a consumer- and fan-base, it can result in a big win-win for all.

Folks in the advertising and marketing worlds seem to think so too – go here for yet another article crowing about some successes – but that doesn’t seem to be translating to the topics that will be on deck for the South by Southwest Music panel discussions, announced a few days ago. Lots of very interesting and relevant stuff to be sure, and it’s nice to see that they involved their audience in deciding what these topics would be. And clearly that makes a difference, as evidenced by the wide variety and yet some common themes, including lots on the digital and social realms. (Yes, of course those are marketing tools too, but I’m specifically referring here to companies partnering with artists.)

Frenzied and ubiquitous marketing at SXSW has become the norm, so there will be plenty of opportunities for resourceful artists at every level of success and who are open to such a partnership to rub elbows with potential sponsors and endorsers, and vice versa. But because this event is so huge it follows that the companies who tend to be marketing there are themselves huge – companies like Miller Brewing, Microsoft, Verizon and Levi’s come to mind from years past.

So where does that leave the “little guy”?

All too often these conglomerates overlook emerging artists in favor of the superstars, and there seem to be as many star acts at SXSW any more as there are not-so-famous. Certainly it makes sense to partner with big stars for their vast reach and appeal, but just imagine the “angel effect” it can have on a Big Corporation that offers financial and marketing support to a non-superstar act, the vast majority of whom desperately need it. A little can go a very long way towards creating a lifelong relationship. (The concept of a corporate-sponsored Battle of the Bands doesn’t count because it’s the most over-worked cliché. Ever. Boo.)

Still, lots of artists shudder to think of such a thing which is why it’s important for all involved to not only be smart and creative, but also to understand what they’re getting and giving when they enter into such an arrangement.

Smaller companies on tight budgets need not feel left out of the marketing opportunities presented by events like SXSW. In fact, those artists who would never dream of getting into bed with a conglomerate might on the other hand be very open to talking to a local mom & pop outfit about some support and cross-promotion on a smaller scale. The possibilities are virtually unlimited.

Posted Tuesday December 8, 2009
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Notes on the American Music Awards

Highlight: The Jay-Z and Alicia Keys duet “Empire State of Mind”. Each a powerhouse in their own right, this performance was a great showcase for the whole being greater than the sum of its parts.

Lowlight: Everybody’s rooting for Whitney Houston after the hellish lows she’s experienced in the past several years, including me. I was hoping that amazing voice would knock my socks off but not only did she not flex her considerable vocal muscle on “I Didn’t Know My Own Strength”, but it’s got to be one of the worst songs I’ve ever heard. And the backup orchestra and choir – oh-so-tired cliches.

A close second was the performance right before Whitney’s, J-Lo’s “Louboutins”. Ugh.

The show itself pits artists against each other for the award in various categories, but the unmentioned category clearly was the competition between artists’ production designers for most theatrical performance. Higher production value will not be found in any Broadway show. Of note: Adam Lambert’s ode to S&M, J-Lo’s boxing ring theme, and Lady Gaga’s smashing of a glass enclosure to gain entry to the flaming piano inside.

One exception to the above was Mary J. Blige, who needs nothing more than a microphone to rock the house, which is exactly what she did.

Unfortunately about 75% of this show seemed like it might have been a repeat from last year, or even five years ago, with an obvious dearth of new talent performing. Not that one should expect to discover new acts from a nationally televised awards show, especially for these particular awards which are based solely on radio airplay and retail sales, but when the majority of performers are acts that have been stars for several years one wonders what the point is. Thankfully there are plenty of places for a music lover to turn to find great new music like Combo Platter favorites KEXP-FM and Pitchfork.

From a marketing standpoint, the opportunity to get creative was lost on most marketers. T-Mobile was the sole integrated sponsor with their Breakthrough Artist of the Year (winner: Gloriana), but they might have been too overt for many. Also noticed: absolutely no commercials for music artists. Sure, there were spots for iPod and Beatles Rock Band, but no spots to promote a new release or tour. Labels typically don’t do TV spots, but you’d think some might consider an exception for a music-focused show.

UPDATE 11/25/09: There has much ado about Lambert’s controversial performance, resulting in ABC’s cancellation of his performance this morning, which was quickly replaced by an offer from CBS. (Full story here). Three things to note about this: (1) Lambert correctly asserts that he is an entertainer, not a babysitter; (2) In recent years televised awards shows have intentionally pushed the boundaries of what is shocking-yet-acceptable, probably in attempt to bolster continually sagging ratings; and (3) Those attempts might be backfiring in Middle America, contributing to the low ratings, which further fires up the “how do we top last year?” mentality.

But the bottom line is there’s always other programming to watch and other music to listen to.

Posted Monday November 23, 2009
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Street Teams

Record labels and independent musicians have been utilizing street teams to deploy on-the-street guerrilla marketing tactics for a long time. But mobilizing these fans can be a complicated exercise in logistics and time management.

Now there is an online software platform available for managing street teams no matter where they are. A great idea whose time has come and something events also should look into. It’s comprehensive, user-friendly, with built-in quality control and incentives for the best street teamers.

Check out Fancorps.com.

Posted Tuesday April 22, 2008
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Thoughts on South by Southwest '08

No surprise, SXSW was replete with way too much to do to squeeze it all in. Crazy! My musical highlights included punk veterans X and I finally got around to seeing Tom Freund, for whom a friend plays drums. I’d say his music is a cross between Lucinda Williams and Leonard Cohen. WOW.

And of course it was a marketing explosion. Very well done in most cases, I’d say, although there was so much of it that it’s easy to get lost in the chaos. Dell did a killer lounge in the convention center, with a fake fireplace, plush carpet, and acoustic acts playing during the day. Probably something they do all the time at trade shows, but not really the kind of thing you see at events like South-by, where the marketing is as much B(usiness) to C(onsumer) as it is B to B.

Several companies had their own venues, be it an actual existing brick and mortar space or a big tent they popped up just for the occasion. Either way, it’s an effective way for a brand to take ownership of the goings-on and then share that with consumers. A nice version of the pop-up store concept.

There was a good bit of “ambush marketing” as well – non-sponsoring companies (who are often competitors with the official sponsors) just showing up and giving away product and swag – which sucks for sponsors but it happens all the time at events. It would be nice if event organizers would police that more effectively but sometimes they can’t and then sometimes they just don’t.

Posted Thursday March 20, 2008
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South by Southwest Hosts Marketing with Music Panels

One of the (many) reasons SXSW is such a hot property is the daytime panel discussions at which top industry pros discuss myriad topics relevant to the business of music. Panels are only open to badge-holders, which means you have to be a festival registrant. (SXSW also sells wristbands for fans who are only interested in attending the artist showcases.)

This year there will be two panels discussing the partnership opportunities between bands & brands:

Brands, Bands, and Fans
Here’s the description of the panel according to the website:
With the traditional music industry in a state of flux, new opportunities for investment and exposure are arising. Music has the ability to inspire passion, engage audiences on a variety of levels, and offers a versatile media for conveying thoughts, feelings and ideas. It is no surprise then that consumer brands around the world see music as an effective platform for delivering a brand experience. Leading music and brand specialists look at which campaigns actually succeed in putting value back into music, and what lessons can the music industry learn to develop preferable brand partnerships in future.

This Year’s Model: Brand Labels
Description:
The music business is undergoing a sea of change as name artists become free agents and new artists question the value of the traditional label/publisher relationship. There are only so many movie, TV, and game slots to expose new music. Starbucks Hear Music has opened the door to yet another alternative: the brand label. Brands are becoming very active in working with artists in more of a partnership arrangement. The panel will discuss the opportunities and ramifications of this new model.

Posted Wednesday March 5, 2008
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South by Southwest Taste on a MyTown Budget

SXSW has become such a high-profile music industry event that marketers clamor to it and then try to rise above the fray to create a killer buzz campaign. And that gets pricey.

(Click here to better understand why music is such a powerful marketing tool.)

So your product or service is perfect for a music industry showcase & festival, but what’s a small business to do? Well, check around for a SXSW knock-off in your city or region. The tremendous success of SXSW has spawned tons of copy-cat events all over the country. Of course they may not offer the same prestigious association, but they do offer a heck of a lot else that any savvy marketer can and should take advantage of. They also offer the chance for a more meaningful interaction with potential consumers – an opportunity that marketing-campaign-saturation renders less relevant every year at SXSW .

So here’s a partial list of similar events in other cities that might be more budget- and marketing-friendly to you:
DFest in Tulsa, Ok.
MusicFest Northwest in Portland, Or.
Atlantis Music Festival in Atlanta, Ga.
NoisePop in San Francisco, Ca.
MOBFest in Chicago, Il.

In addition to the above, most major markets have a local alt-weekly paper that hosts an annual music awards event. Some markets that come to mind are Dallas, Houston, St. Louis, Kansas City, Phoenix, L.A. / Orange County, Seattle, and Portland.

These events are lists that come to mind with no research (as I’ve been to most of them). So it’s just a matter of a little research.

OR…

Combo Platter specializes in this kind of thing. To find out why you should consider music events to market at, go here and here

To determine if this is a viable marketing avenue for your business – and it’s not for everyone – contact Combo Platter at info(at)ComboPlatter(dot)net.

UPDATE 4/7/11:
Sadly some of the aforementioned fests are no longer. Here are some others that might be in your neck of the woods:
Florida Music Conference
Mid By Midwest in Minneapolis
And the powerhouse CMJ Music Marathon in NYC

Posted Friday February 29, 2008
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South by Southwest

Spring Break for music industry folk takes place every March in Austin, Tx. Being a native Texan, SXSW is a ritual for me. Now that I’m in Seattle, it’s not as easy to get to, but get to I do.

When I first started going in the mid-90’s, folks were complaining about how it had grown from a cool little event that showcased the best of Texas and regional music, to a commercialized sellout that kowtowed to the major labels. Well if that were the case circa 1995, it’s now a grotesque orgy of expense accounts, schmoozing and marketing, with a little music thrown in.

I still have a blast every year! Drop me a line if you’re going.

Posted Sunday February 24, 2008
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Blurring the Lines

Superstar hip-hop producer Timbaland has agreed to produce songs exclusively for distribution to subscribers of Verizon’s V-Cast service. Subscribers will get other exclusives too, such as “making of” videos, and of course ringtones and ringbacks.

You might be saying to yourself, “Wait a minute, I thought Verizon was a cell-phone service. But this sounds more like an entertainment service.”

Now THAT is Engagement Marketing.

Posted Friday February 8, 2008
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Shock N Rock

File Under: Oh Brother.

As I often espouse in this blog and on this page, and as you probably have seen for yourself, music is ubiquitous these days as a marketing tool. Free downloads are all too common (read: tired), and cell phone companies have been incorporating MP3 players into their devices with great success in the past few years.

So marketers of all kinds are now trying to capitalize on the MP3 trend. One new entry is Taser.

Yes, that’s right. You can rock while you shock.

While I obviously support the use of music in marketing, that’s not to say that it’s a one-size-fits-all idea. Sometimes it comes off as parents trying to be cool around their kids’ friends and ending up looking ridiculous. Is that what Taser’s doing? I think so, but time will tell.

Posted Wednesday January 9, 2008
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Engagement Marketing

I love the pop-up store concept. It’s when a brand opens a retail store for a brief period of time, typically no more than a month or so and sometimes just a week or two.

There are lots of cool things about this idea. Because of the short life-span of a pop-up store, it instills a sense of urgency. Because it’s usually a one-off, the brand doing the pop-up will often do fun promotions and things that you don’t normally find at a traditional store. It’s a fantastic way to engage the consumer and to find new ones. It’s also a great idea for brands that may not be a very viable long-term retailer, or those who’d like to test the waters. Charities, for example.

Rhino Records has a pop-up store just for the month of December in LA, where visitors can see the real-life versions of box sets, limited edition prints, read the liner notes, etc. In other words, they can be ENGAGED. I’ve not heard the term “Engagement Marketing” anywhere else so far, but that’s what’s going on here and it’s the new paradigm in marketing of any kind.

So how do you engage your fans?

Posted Thursday December 27, 2007
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Marketing and Music Industry Chaos

The music industry is in something of a Jekyll and Hyde situation right now. CD sales have been in decline for several years, and the ball is rolling downhill faster and faster. This means that major record labels are slowly imploding. That’s the down side.

The up side is that music is more ubiquitous than ever; bands and artists have MUCH more power and options than ever; and there are tons more marketing channels and ways for an artist to build their business besides selling records.

Not long ago it was cd sales (“units moved”) that was the only measure of an act’s success, and touring was primarily a means of promoting and selling cd’s. But the decades-old paradigm is shifting. Full-length cd’s are being eclipsed by single downloads, and music is often given away for free as a promotional tool that then hooks the fan into buying merch, concert tickets, not to mention the ever-increasing pool of artists’ ancillary businesses such as clothing and fragrances. CD sales tracking is now only one element of the overall success measure, as things like live shows, ringtones, blog and chat room buzz, and social networking show the bigger picture of who’s hot and who’s not. Very often cd sales don’t translate into ticket sales, and artists who don’t sell many cd’s consistently play sold-out shows. Artists who use to be tied to major labels out of necessity are now taking control back and doing all kinds of never-seen-before experiments and deals. It’s pretty exciting, unless you’re employed at a major.

So major labels are hurting badly, other things are still evolving and have yet to settle into a predictable methodology, and many other music business aspects are positively thriving. It just so happens that those thriving parts, and even the still-evolving parts, are the ones that a business of any type and any size can utilize in a marketing partnership. Don’t let any reports of doom and gloom give you the wrong impression. These are the days.

Posted Thursday December 20, 2007
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Marketing with Music Gone Wrong

Music is such a popular (read: effective) tool for marketing that occasionally big companies will make what I believe are big missteps in trying to cram music into their brand messaging.

Sometimes there are TV spots whose concepts clearly started with the song, then the spot was built around that. Someone in the C wing said “I love this song, we gotta use it in our commercials!”, and next thing you know your TV’s showing you an SUV driving through an empty cityscape to the strains of “Dust in the Wind” by Kansas. Ugh.

The latest one to make me shake my head sadly is the Direct TV spot / music video featuring Beyonce pitching the service by singing about how great Direct TV is while a team of nattily clad gents join her in a smartly choreographed routine.

(Her spots for Amex, on the other hand, are much more tastefully done.)

Will her fans start screaming for Direct TV now? I kinda doubt it, but who knows. The bigger issue for me is that the commercial is barely distinguishable from a music video, which of course is the point. But that just goes to show you how truly manufactured top 40 music and videos are these days. And is Beyonce a manufactured act? See, THAT’S my point – no, she’s not. She is truly a multi-talented performer. And this kind of thing is way beneath her.

The key to making an artist & business partnership really work, really resonate with the fans that the company is trying to reach, is to make it authentic. There needs to be a philosophical match, if you will, between artist and company. Something that makes sense not just to the target consumer, but to the artist’s fan base.

Every artist will have her or his own definition of selling out, as will their fans. There are lots of great ways to create a great joint promotion partnership between artists and companies, but if you ask me this is a textbook sellout.

Posted Tuesday December 4, 2007
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Rock of All Ages

Last night I caught the PBS airing of “Paul McCartney: The Space Within Us”, a concert and interview documentary. One thing that struck me, yet was not surprising, was the span of generations present at his shows. From teen punks to soccer moms (and dads) to boomers, the range was vast. In many cases it looked like a real family affair, even with some babes in arms and toddlers in tow.

In case you thought using music as a marketing tool only works with teens and twenty-somethings, think again.

Posted Friday November 30, 2007
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Sponsorship is for Everyone

While this site is obviously skewed toward the benefits of sponsoring music events in particular, which is a huge category in itself, the biggest category for sponsorship is in fact sports. This ranges from the obvious ones such as American football, golf, and the Olympics to things like local 5k marathons and boating events.

This is especially great news for small businesses. It means that there are opportunities just about everywhere and you don’t need a budget of millions to get into the action. In fact, many smaller local events – whether they are sports, music, parades, community, holiday, charity, or whatever – have starting points at just a couple hundred dollars (much cheaper than advertising on radio or many print publications).

Whoever handles sponsorship for the event you’re considering should take the time to explain in detail all the available options for you that would best fit your budget and objectives. Try not to let preconceptions of pushy salespeople scare you away. Good sponsorship staff understand that honesty is the best policy and that creating a win-win situation is good business. When in doubt, do some research on the event and see if they’ve had consistent sponsors or if it changes drastically every year. (Some change is normal, but a big overhaul year after year is a red flag.)

Now brush off that hesitation and go for it!

Posted Tuesday November 27, 2007
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Music + Marketing = Win-Win

Digital Music News reports a huge investment by energy drink brand Red Bull into the music business, including a state of the art recording studio at their U.S. headquarters in California. Details are scarce for now, but the report also says that many top music executives are in on the happenings.

Clearly the brand is looking to enhance and expand its lifestyle profile by adding music artists to the list of tastemakers and events, mostly in the realm of extreme sports, that they are already aligned with. It remains to be seen whether these artists will be household names or not, but my guess is they will first go after acts who also fit into the extreme sports lifestyle, such as emerging acts in punk, and DJs.

This arrangement should be a win-win for Red Bull and the artists (and labels? producers?) it works with. The scenario will likely include things like Red Bull having exclusivity on some singles that can be digitally and otherwise distributed to their consumers; and of course tour support. In exchange, the artist will probably get free studio time, added exposure, and of course money. The trick here is to work the deal so that the artist gets the money and promotion without feeling like – or coming off to their fans as – a shill. Look for an upcoming white paper on this very subject from Combo Platter.

Often referred to as “Bands and Brands” or something similar, you will see lots of discussion on this type of association here.

Posted Tuesday November 20, 2007
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Emotions Mean Business

People make decisions based on emotion rather than facts or logic. That is not meant to criticize, after all I’m a people too; rather it’s a familiar observation borne out time and again. I have read actual poll summaries that say folks preferred one person’s position on the issues, but liked another person more and so that’s who they’d be voting for.

(But I’m not going THERE.)

Where I am going is that this is Reason Number One to use music and events as marketing tools. People, when they’re listening to a cd, or at a concert, or attending a festival, are having FUN. They LIKE being there. They CHOSE to be there doing that instead of somewhere else doing something else, and they most likely spent their hard-earned money to do it. And the best part is, at least at a concert or festival, there’s a bunch of other people who are there for the same reason.

Don’t you think you should be a part of that?

Posted Tuesday November 13, 2007
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